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The highly requested Combinator effect has been released in preview version. Cubase’s Combinator effect creates a parallel processing effect that combines audio inputs into multi-layered, harmonically rich-sounding outputs. Sound is produced by combining the output of two or more different effects. This is typically the same audio content, but in different audio processing formats, as defined by the effects on the input. The Combinator effect is used to quickly and easily create interesting musical effects with a single click. Select the Combinator effect from the Windows FX menu and choose a combination of Effects in the Parameter box.
Its good for some really cool effects but you need to have at least two tracks going in parallel so that the different effects can be heard in the Combinator effect. One of the downsides of Cubase is that if you have more than four tracks going in parallel, the Combinator FX will cease to work, even if you disable all the other FX
Cubase 2012 was a game-changing release and one of the highlights is Melodyne 2.6.0. This is designed to encourage you to explore the custom structures you have been creating in Melodyne and even more importantly how they can be used to create stunning new results. With easy-to-use editing tools, the new Parameter Map feature and a host of other new features you can be up and running with Melodyne 2.6.0 in no time.
The biggest advantage to this new Cubase installation and backup process is the fact that all of your old CXP files will be uploaded to your user account as soon as you’ve disconnected the external drive. That means none of your old mixes, projects or modifications will ever be lost. To the extent that your own CXP files don’t have the same limitations as the download version, they will also be available to you via the Cubase menu.
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You can now leave the track as it is, but while the channel EQ is open and the audio is active, change the EQ’s frequency range, or in other words, the frequencies you wish to apply EQ to. If your music is written in just a couple of keys you don’t need to worry too much about this. However, if your music crosses through many keys then the EQ’s frequency range needs to be wide enough to contain all the tones you need. You can change this manually in the ‘Advanced’ tab of the Channel Settings window (this can be accessed from the Window menu by clicking on the black bar that separates the preview from the controls), or as Cubase’s internal gauge tells you, select the ‘Edit Gain’ icon underneath the EQ curve in the Channel Settings window. Once you select ‘Edit Gain’ the gauge will disappear and an area will appear around the graph that, when selected, will allow you to move around the graph using the black marize (up and down) and white marize (left and right).
That is it for the Channel EQ window in Cubase. Now it is time to create a compressor or expand only the frequencies that you want to. To do so, open the Compressor/Expander window for the channel you are working on, using the Window menu to launch it.
If youre looking for a virtual drummer, plugins such as Drumix may well be your solution. Once you change any velocity of a track or the set of tracks youre recording, its given an instant sound. The more tracks you have, the more presets you get. However, if you find your core drummer isnt doing it for you, it can be easy to go for something more diverse. In fact, weve put together a list of plugins to help make you a virtual drummer and inspire you to hit the mark that suits your needs.
Forget about the dreaded panning problem, as its simple to do in Cubase. Weve got the details on the issue.
Go to expertkey.com and check out their virtual drummer plugin.
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What is Cubase and what is it for
I recently upgraded to Reason 7 & updated my tracking piano from an old Yamaha P90 to my new Fender amp. When recording tracking in REASON, you can pull up a detailed recording window (as explained on the video) and the mic is hot enough for the instrument – which i noticed on my Fender amp. But then when I switch to cubase for editing I can’t select the exact mic like I could in reason. I can in Cubase, but how can I have audio I recorded in reason, and yet have a notation track in cubase?
Hello, I’m using cubase for about 4 years now and I’m really amazed at the functionality. But you are right. There are some things missing that should’ve been put in. As far as editing and programming the drum machine, I use my Pro Tools for that. Same thing about using Reason for electric/guitar, bass, and vocals. I have Reason for audio editing and cubase for track information.
You can view the Reason 5 tutorial if you want to learn about the Edit Track window – an invaluable feature if you want to arrange and prepare your tracks. AFAIK, most DAWs (reason, cubase, FL Studio) do this. However it is not part of the Cubase workflow.
I have always liked Cubase because it is so intuitive to use. Many of the features from the Reason user’s guide, are already in the Cubase user’s guide. Plus, I can run the Cubase Cracked EZ Inspector and have a live view of my audio tracks without leaving Reason (e.g. bring up the audio track audio and mute/unmute it). With Reason I need to open the audio tracks to view their audio meters. It really depends on what you want to accomplish on a day to day basis.
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Cubase System Requirements
- Operating system: Windows 7, 8, 10 (32 & 64 bit)
- 64-bit Windows: Any PC (32 & 64 bit)
- CPU: Intel® Core™2 Duo or better, AMD Athlon™ 64 or better
- RAM: 2 GB RAM
- Recommended: 4 GB RAM
- HDD: 50 GB
- Display: 1024×768
- DVD-ROM: 700 MB available space
- 1 GB/2 GB additional required disk space for upgrade installation
- Plus many, many more!
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